Vladimiras Prudnikovas

bass

Works with Vilnius City Opera

In opera

"The Gambler“

The General

"Faust“

Méphistophélès

"Tannhäuser“

Hermann

"Der fliegende Holländer“

Daland

"Boris Godunov“

Boris Godunov, Pimen

"Prince Igor“

Konchak

"Turandot“

Timur

"Rigoletto“

Sparafucile

"Don Giovanni“

Leporello

"Don Carlos“

Philippe II

"La Juive“

Cardinal de Brogni

And other

Theaters

Russia

Saint Petersburg opera

USA

New York City Opera

Paris, France

Théâtre des Champs Elysées

Collaborated with

Lord Yehudi Menuhin

Justus Frantz

Cyril Diederich

Vladimir Spivakov

Dmitri Kitajenko

Vladimir Fedosejev

Toured in

France

Italy

Spain

England

Germany

Finland

Norway

The Netherlands

Echternacho festival in Luxembourg

Berliner Festwochen in Germany

Castell de Perlada and Sagra Musicale Malatestiana festivals in Spain

International Festival and Events in USA

Prague Spring International Music Festival in Czech Republic

G. Verdi festival in Italy

Savonlinna opera festival in Finland

Awards

International M. Callas Grand Prix Competition (1981)

Winner

1996

3rd Class Order of the Lithuanian Grand Duke Gediminas

1996

Lithuanian National Prize for Culture and Arts

Other

Professor at Lithuanian Music and Theatre Academy

1975 - 2004

Soloist at Lithuanian National Opera and Ballet Theatre

Having received the country’s highest accolades for his artistic achievements, Vladimiras Prudnikovas might be considered the personification of a living history of Lithuanian music. You even might not be aware of the fact that you have heard his memorable, thunderous bass. Some of the often imperious roles he sang might seem even frightening. You might not know the large number of his students who pursue their careers on the international opera scene. His caring nature as a teacher was best revealed in the role of Le Bailli from Jules Massenet’s Werther. In the VCO’ production Prudnikovas came up with a warm-hearted portrayal of Charlotte’s father whose daughter is having a thwarted love affair with the young poet Werther. His vigorous chasing after the children’s chorus not only fulfilled the director’s expectations but also exposed the attentive and self-effacing side of his personality rarely seen onstage. Another astonishing feature was his yet undiscovered talent for painting, which he has demonstrated by drawing amazing sketches amidst the action.

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