Sigutė Stonytė

soprano

Works with Vilnius City Opera

In opera

"Otello“

Desdemona

"Ernani“

Elvira

"Salome“

Salome

„Tannhäuser“

Elisabeth

"Der fliegende Holländer“

Senta

"La Traviata“

Violetta Valéry

"Nabucco“

Abigaille

"Macbeth“

Lady Macbeth

"La forza del destino“

Donna Leonora

"Aida“

Aida

"Un ballo in maschera“

Amelia

"Tosca“

Floria Tosca

"Turandot“

Liù

"Faust“

Marguerite

"Eugene Onegin“

Tatyana

"The Queen of Spades“

Liza

"Suor Angelica“

Suor Angelica

"Le nozze di Figaro“

La Contessa di Almaviva

"Don Giovanni“

Zerlina

"Der Freischütz“

Agathe

And other

In concerts

J. S. Bach

Johannes-Passion

J. S. Bach

St Matthew Passion

L. v. Beethoven

Symphony No. 9

G. Verdi, A. Bruckner

Requiem

J. Brahms

Ein deutsches Requiem

A. Bruckner

Te Deum

A. Dvořák

Requiem

A. Schönberg

Gurre-Lieder

F. Poulenc

Stabat Mater

A. Honegger

Jeanne d’Arc au bûcher

B. Britten

War Requiem

J. Haydn

Die Jahreszeiten

G. F. Handel

Messiah

G. F. Handel

Belshazzar

G. Mahler

Symphony No. 2, Symphony No. 4 in G major, Symphony No. 8 in E-flat major

W. A. Mozart

Requiem

G. Rossini

Stabat Mater

F. Schubert

Stabat Mater

R. Wagner

Wesendonck-Lieder

And other

Toured in

United Kingdom

Germany

France

Italy

Spain

Portugal

Ireland

The Netherlands

Poland

Czech Respublic

Hungary

Russia

Estonia

Latvia

Finland

Denmark

Sweden

Taiwan

Japan

USA

Collaborated with conductors

Leo Kramer

Justus Frantz

Timur Minbajev

Alessandro Siciliani

Eduard Serov

Andris Nelsons

Arvo Volmer

Fritz Reiner

Collaborated with ochestras

USA

National Symphony Orchestra at the J. F. Kennedy center

Russia

Moscow Philharmonic Orchestra

Denmark

Odense Symphony Orchestra

Estonia

Estonian National Symphony Orchestra

Latvia

Latvian National Symphony Orchestra

Awards

Marian Anderson Vocal Arts Competition in Maryland, USA (1991)

II place

1996

Saint Kristoforas prize

1999

Society of Lithuanian Opera Friends „Kipras“ prize

2000

Knight's Cross of the Order of the Lithuanian Grand Duke Gediminas

2003

Special prize by the Lithuanian Ministry of Culture

2004

Lithuanian National Culture and Arts prize

2004

Order of the Cross of Terra Mariana for the merits to the Estonian nation and society

Opera award "Švyturys“ (2005, 2011)

Best female soloist of the Year

Lithuanian musicians union award (2011)

"Auksinis diskas“

Golden Stage Cross award (2011)

For the role of the Countess Almaviva in Le nozze di Figaro

Golden Stage Cross award (2016)

For Lifetime Achievements

Other

1992 – present

Professor at Lithuanian Music and Theatre Academy

Given open masterclasses

Royal music academy (London, United Kingdom)

Given open masterclasses

Sibelius academy (Helsinki, Finland)

Given open masterclasses

Antonio Scontrino music conservatory (Trapani, Italy)

Given open masterclasses

Alfredo Casella music conservatory (L‘Aquila, Italy)

1985 - 2015

Soloist at Lithuanian National Opera and Ballet Theatre

Many years ago Sigutė Stonytė, just like the founders of the VCO, chose to stay in Lithuania despite the fact that she could have made it to the world’s major opera houses. It was here that she has performed many leading dramatic and lyric soprano roles, for which she has been awarded the country’s highest artistic honours, and has continued to work as an unparalleled mentor to a future generations of singers. Her extensive professional experience, strong personality and acute sense of humour were the winning features for her nomination as the only candidate to portray a different version of Larina in the VCO’s production of Onegin. The company decided to change the locale of the classic Russian play to kommunalka and use the shortened version of the original title for its production of Tchaikovsky’s opera. Thus Mme Larina, the mother of Tatyana, a girl wounded by rejection of an arrogant youth, was turned into a recognisable prototype of the Soviet manageress of consumer goods warehouse. Sigutė alone could endow this character with the well-earned and not shallow ‘diva’ status but transgressing the stereotypical image of the ‘merited artist,’ by lighting up a Belomorkanal cigarette on stage.

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