Kostas Smoriginas
baritone
Works with Vilnius City Opera
In opera
"Carmen“
"Madama Butterfly"
"Elektra"
"Aida"
"La Traviata"
"Don Giovanni“
"Faust“
"Tosca"
"Le nozze di Figaro“
"Tristan und Isolde"
"Boris Godunov"
"The Demon"
And other
Theaters
United Kingdom
Italy
Germany
Belgium
Germany
United Kingdom
France
Chile
USA
Austria
USA
Austria
France
Germany
And other
In concerts
G. Verdi, W. A. Mozart, G. Faure
L. v. Beethoven
A. Dvořák
K. Szymanowski
I. Stravinsky
S. Rachmaninoff
D. Shostakovich
Collaborated with
Antonio Pappano
Daniel Oren
Simon Rattle
Louis Langrée
Edward Gardner
Andris Nelsons
Awards
Plácido Domingo's Operalia competition
3rd place
Opera award „Švyturys“ (2012)
Male soloist of the Year
Golden Stage Cross Award (2024)
Male soloist of the Year
Other
2020 - present
Soloist of the Lithuanian National Opera and Ballet Theatre
What are you supposed to do, being born into a family of one of the most celebrated Lithuanian actors? Kostas Smoriginas made his choice by becoming one of the most celebrated Lithuanian baritones. Speaking of the High Priest of Dagon played by Kostas in Samson et Dalila, we could hardly avoid discussing his artistry. He clearly has a gift of feeling at ease and in his element on stage, being open to the great diversity of characters he has to enact, but high level stage portrayals become convincing only after a lot of persistent work and effort, even though it looks like the five-finger exercise. There is also an inborn streak of darkness in him, which becomes reflected as anger, grief, or grievance depending on his role. After all, it was the High Priest who really murdered Samson with the help of Delilah in Camille Saint-Saëns’ opera. Kostas effectively uses speech, song and voice to enthrall audiences in major opera venues like London’s Covent garden, Milan’s La Scala, Moscow’s Bolshoi, San Francisco and Washington opera, Bregenz and Salzburg Festivals to name but a few. His voice is an amazing combination of sombre, thunderous, and at the same time velvety tones.