Jovita Vaškevičiūtė

mezzo-soprano

Works with Vilnius City Opera

In opera

"Carmen“

Carmen

"Otello“

Emilia

"Un ballo in maschera“

Ulrica

"Madama Butterfly“

Suzuki

"Aida“

Amneris

"Rigoletto“

Maddalena

"Boris Godunov“

The Innkeeper

"Love and Other Demons“

Dominga de Adviento

"Doctor Atomic“

Pasqualita

"Kornetas“

Grafienė - Markizas

"Die Fledermaus“

Prinz Orlofsky

"Mavra“

Mother

"The Queen of Spades“

Countess

"Anna Bolena"

Smeton

"Candide"

The Old Lady

"Alice in Wonderland"

Queen of Hearts

"The Bear"

Countess

"Suor Angelica"

The Princess

And other

Theaters

Hungary

Magyar Állami Operaház

Argentina

Teatro Colón

France

Opera national du Rhin

Belgium

BOZAR Palais des Beaux-Arts

Germany

Oper Köln

Spain

Teatro de la Maestranza

Estonia

Teater Vanemuine

Estonian National Opera

Rahvusooper Estonia

Lithuania

Klaipėda State Music Theatre

In concerts

G. Verdi, M. Duruflè, A. Dvořák

Requiem

A. Honegger

Jeanne d’Arc au bûcher

G. Mahler

Symphony No. 8 in E-flat major

L. van Beethoven

Symphony No. 9

K. Jenkins

Stabat Mater

F. Mendelssohn

Elias

G. Mahler

Das Lied von der Erde

Collaborated with conductors

Alejo Pérez

Daniele Rustioni

Will Humburg

Peter Eötvös

Markus Stenz

Tomomi Nishimoto

Lü Jia

Ralf Sochaczewsky

Fabrice Bollon

Patrick Davin

Awards

Zenonas Paulauskas young singer competition (2000)

2nd place

Opera award "Švyturys“ (2006)

Opera Hope of the Year

Other

2006 – present

Soloist at Lithuanian National Opera and Ballet Theatre

In Il trovatore, Azucena is the truly dark (definitely not grey) eminence of the story. A gypsy woman, hardened by life and short-tempered - she carries a deep, dark secret throughout the opera. Her life goal is to take revenge against two noble scions for her mother’s death. At first sight such characteristics haven’t got anything in common with the personality of Jovita Vaškevičiūtė who performs this role. As a person, she is particularly sensitive to every living being around her. As the owner of the powerful voice, however, she can each time appear in a different, unexpected light. One may guess that the stage alone can withstand the intensity and range of her feelings she generously projects to her audiences with utmost expression and effort. The exceptionally wide-ranging possibilities of her mezzo-soprano voice have also been noticed by contemporary opera artists and producers who regularly invite her to perform as far afield as Argentina.

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