Laimonas Pautienius

baritone

Works with Vilnius City Opera

In opera

"Nabucco"

Nabucco

"My Fair Lady"

Henry Higgins

"Die Fledermaus"

Falke

"Cendrillon"

Pandolfe

"Mozart"

Leopold Mozart

"Il barbiere di Siviglia“

Figaro

"Platée“

Momus

"Madama Butterfly“

Sharpless

"The Queen of Spades“

Prince Yeletsky

"La Traviata“

Giorgio Germont

"Don Giovanni“

Don Giovanni

"Le nozze di Figaro“

Il Conte di Almaviva

"Carmen“

Le Dancaïre, Escamillo

"The Little Prince“

The Pilot

"L'elisir d'amore“

Belcore

„Roméo et Juliette“

Mercutio

„Demon“

Demon

„Falstaff“

Ford

And other

Theaters

The Royal Danish Opera

Den Kongelige Opera

Düsseldorf, Germany

Deutsche Oper am Rhein

Germany

Nationaltheater Mannheim

Germany

Aalto Musiktheater Essen

Estonia

Rahvusooper Estonia

Latvia

Latvijas Nacionālā opera un balets

USA

Lithuanian opera company in Chicago

Collaborated with

Enrico Dovico

Andrei Jurkevič

Giordano Bellincampi

Rainer Muhlbach

Konrad Junghanel

Zbigniew Graca

Andris Nelsons

Olari Elts

Andreas Spering

Axel Kober

And other

Awards

Competition "Operetė, mano meilė“ (2002)

First prize

Klaudia Taev comptetition for young opera singers (2003)

First prize

Šv. Kristoforas award (2001)

Operetta nomination

2003

"Fortūna“ statue

2003

"Opera singer of the Year“

Golden Stage Cross (2004)

Best work in operetta

2012

Soloist the Year

2023

Lithuanian Ministry of Culture honor award "Nešk savo šviesą ir tikėk“

Other

2009 – present

Soloist at Deutsche Oper am Rhein (Düsseldorf, Germany)

Count di Luna is the grim and sombre commander of the royal troops. But as frequently happens in traditional folktales, there is a softer side to his character too, which he conceals from others and which starts melting away in the presence of an exceptional woman – Leonora. Laimonas Pautienius is the ideal soloist for convincing portrayals of villains. It seems impossible not to fall in love with the characters he plays on stage. One of the founding members of the “Bohemians” and a long-standing soloist of the Deutsche Oper am Rhein in Düsseldorf, he finds a key to each and every role he performs and unlocks it. It appears that in each of his characters Laimonas reveals a philosophical underpinning, which explains even their most gruesome deeds. The baritone who was once dubbed the ‘Champagne Boy’ knows for sure how to shoot an unsuspected squib, especially when he has to play comic characters not unlike his own playful nature. When it comes to portraying the dark side, Laimonas usually opts for the moments of intense, disturbing silence.

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